Year: 1994Edition by f maurer for design galerie, Vienna Dry Light is usable as a light source in wet rooms such as the shower, the sauna and outdoors as a garden lamp, etc.. Statement: "Dry Light is an absolutely transparent design: I use the function of the rubber rings, which make the lamp waterproof, at the same time as its only design element. Visible through the clear glass bulb [...]
Year: 1997Edition by f maurer for design galerie, Vienna The lamp "Goldblock" is hand-laid with gold leaf and appears in limited edition for the design galerie, Vienna.
Year: 1998Customer: artificial by juergen j. burk, Germany As a Bauhaus quote, f maurer designed the "Color Blocks" and "Color Columns" series in the classic colors white, red, blue, as well as yellow and green, which were successfully launched on the market by artificial. Statement: "What I particularly like about the luminous color columns is their monumentality. For me they score with their [...]
Year: 1997Client: artificial by juergen j. burk, Germany As a Bauhaus quote, f maurer designed the "color blocks" in the classic colors of white, red, blue, as well as yellow and green, which were successfully launched by artificial. On the occasion of the blue-black government formation in Austria in February 2000, the eponymous lamp in black was created as his "protest", the [...]
Year: 1991Client: artificial by juergen j. burk, Germany Once again, f maurer reaches into the emotional box of contrasts, from design to photography: cold-warm, hard-soft, light-dark. Each of his luminous "Iceblocks" is unique, as the ice flower surface is applied to the acrylic block by hand, so no two pieces are alike. In contrast to the supposed coldness of the radiant ice block [...]
Year: 2004Edition by f maurer for design galerie, Vienna Transferring functions is one of the popular working methods of f maurer. This is also the case with the lamp "Maxi", whose original use is immediately recognizable as a bottle. Statement: "My work as a designer did not consist of creating a new thing out of nothing, but rather of transforming a known form by [...]
Year: 2008Edition by f maurer for design galerie, Vienna Inspired by the Indian festival of light Devali, f maurer developed the eponymous oil lamp for table and wall. The shape corresponds to the reduced, homogeneous form of a drop, combined with that of the flame. If several "Devali" are arranged to each other at the table or on the wall, communication and dynamics between the objects made of porcelain are literally created. A [...]
Year: 2008Edition by f maurer for design galerie, Vienna Inspired by the Indian festival of light Devali, f maurer developed the oil lamp "The Lux" for table and wall. The shape corresponds to the reduced, homogeneous form of a drop, combined with that of the flame. If several "The Lux" are arranged to each other at the table or on the wall, communication is formally created [...]
Year: 2002Edition by f maurer for design galerie, Vienna Transferring functions is one of the popular working methods of f maurer. This was also the case with the Osteria carafes, which were given two new functions through a cut: Vase and candle holder. Statement: "My work as a designer here was not to create a new thing out of nothing, but to take a well-known [...]
Year: 2002Edition by f maurer for design galerie, Vienna Transferring functions is one of f maurer's favorite working methods. This is what happened with a series of vases whose original use is immediately recognizable as bottles. In the case of Vase Set No. 3, there are two similar bottles with different fill volumes, whose shapes correspond in an exciting way. Statement: "My work [...]
Year: 2004Edition by f maurer for design galerie, Vienna With his designs "Fire & Flame", f maurer reaches into the emotional box of design, as his collection of fire products clearly meets the need for coziness within one's own four walls. Even more, it brings a little crackle into life. As, for example, with the glass fire tree, [...]
Year: 1995Customer: artificial, Germany With its vase series, f maurer cites bottle shapes in which special varieties, regions and cultures of wine are condensed. Who does not associate the classic bouteille with a German white wine, the Burgundy bottle with a French red wine? Similar to the music of the "DJ", as in film the "found footage genre" use found, combined [...]
